Bevel edged, 15 mm thick, plate glass top or 20 mm thick bevel edged top either in white Carrara marble, in black Marquinia marble or in Emperador marble, with stainresistant protective varnish, in clear matt polyester. Frame in natural-, wengé-stained...
Signed piece. MDF top and stiff polyurethane legs with steel frame painted in the shades of red, blue, yellow, green. Polished aluminum alloy feet.
Working table Natural varnished steamtreated beech trestle. Top coated with white plastic laminate, or with tempered plate glass. Adjustable height.
Frame in polished aluminium alloy varnished graphite or aluminium. Seat and back with polyurethane upholstery. Removable cover in fabric, in leather or cowhide. Footrest in satin-finished stainless steel. Upon request a 100% white cotton loose stool cover to be put on...
Steel frame painted for outdoors in the shades white, black or red combined with strung high-tenacity polyester cords with nylon internal reinforcement also ideal for outdoors, respectively in the shades white/light grey mélange, black/beige m...
Chair Aluminium alloy frame. Seat and back upholstered in polyurethane. Removable cover in fabric, leather or in cowhide. Upon request two loose covers to be put on without fi xing can be supplied: in 100% white cotton, available either short covering...
Chair. Armchair Aluminium alloy frame. Seat, back and armrests upholstered in polyurethane. Removable cover in fabric, leather or cowhide. Upon request two loose covers to be put on without fi xing can be supplied: in 100% white cotton, available either short...
Chair Chromium-plated or nickelplated glossy black steel legs. Rigid polyurethane shell. Removable quilted cover in fabric or leather, combined with heatbound polyester fi bre.
Lounge chair Chromium-plated steel frame, or painted dust light blue or black. Suspension on steel springs. Adjustable seat in two positions. Polyurethane upholstery. Leather cover.
Lounge chair 18/8 polished stainless steel frame, or painted dust light blue or black. Sling in cowhide pigmentato 90. Back cushion in new goose feathers. Seat cushion in polyurethane/Dacron Du Pont. Cushion and armrest covers in Ecofi re or leather.
Armchair Frame in oak- or Canaletto walnut-dyed ash. Bronzedbrass hardware. Four-position adjustable seat. Upholstery in polyurethane/heat-bound polyester fi bre with suspension on steel springs. Removable fabric or leather cover.
Armchair/bergère, pouf Armchair with steel base, swivel or fi xed with feet and stiff polyurethane external body covered with cowhide 95. Upholstery of internal body and pouf in polyurethane/ heat-bound polyester fi bre with elastic strips suspension. Removable...
Armchair Base on castors or fi xed with feet. Steel frame. Upholstery with self-extinguishing polyurethane foam/heatbound polyester fi bre with elastic strips suspension. Removable fabric or leather cover. The external body can even be covered with cowhide 95 combined with...
Revolving base in varnished steel, colors: black, chrome or graphite. Steel frame. Upholstery in selfextinguishing graduated polyurethane foam/heatbound polyester fiber. Removable fabric or leather cover.
Steel frame. Upholstery with self-extinguishing polyurethane foam/heatbound polyester fi bre with elastic strips suspension. Removable fabric or leather cover. The exterior body can be covered with cowhide 95, combined with fabric or leather
Richard Schultz designed the 1966 Collection at the request of Florence Knoll who, after retiring, wanted outdoor furniture that could withstand the corrosive Florida ocean air. The 1966 Collection is regarded as the first modern outdoor furniture and has been the category...
Richard Schultz designed the 1966 Collection at the request of Florence Knoll who, after retiring, wanted outdoor furniture that could withstand the corrosive Florida ocean air. The 1966 Collection is regarded as the first modern outdoor furniture and has been the category...
Richard Schultz designed the 1966 Collection at the request of Florence Knoll who, after retiring, wanted outdoor furniture that could withstand the corrosive Florida ocean air. The 1966 Collection is regarded as the first modern outdoor furniture and has been the category...
David Adjaye's cantilevered chairs establish a play between propping and balancing, so that they are simultaneously functional and sculptural. Washington Skeleton is reduced to a fine geometric lattice while its inverted counterpoint, Skin, offers a colorful envelope to the...
A new collection of lounge furniture by Edward Barber & Jay Osgerby offers a relaxed, contemporary attitude toward interior design.Armchair: 100cm W x 86cm D x 63.5cm H.2 Seat Sofa: 186cm W x 102cm D x 71.5cm H.3 Seat...
Like his Wassily chair, Marcel Breuer's Laccio Tables are critical to the story of 20th-century design. Breuer's use of tubular steel to define lines in space beautifully exhibited in these simple nesting tables revolutionised furniture construction and inspired...
Marcel Breuer was an apprentice at the Bauhaus when he began experimenting with tubular steel as a way of building a more transparent chair. Inspired by the frame of a bicycle and influenced by the constructivist theories of the De...
In 1966 the Platner Collection captured the "decorative, gentle, graceful" shapes that were beginning to infiltrate the modern vocabulary. The pieces are created by welding hundreds of curved steel rods to circular frames, simultaneously serving as structure and ornament.39cm D...
In 1966, the Platner Collection captured the "decorative, gentle, graceful" shapes that were beginning to infiltrate the modern vocabulary. The iconic pieces are created by welding hundreds of curved steel rods to circular frames, simultaneously serving as structure and ornament
In 1966 the Platner Collection captured the "decorative, gentle, graceful" shapes that were beginning to infiltrate the modern vocabulary. The pieces are created by welding hundreds of curved steel rods to circular frames, simultaneously serving as structure and ornament.Chair: 101cm...
In 1966 the Platner Collection captured the "decorative, gentle, graceful" shapes that were beginning to infiltrate the modern vocabulary. The pieces are created by welding hundreds of curved steel rods to circular frames, simultaneously serving as structure and ornament.Lounge chair 9...
In 1966, the Platner Collection captured the "decorative, gentle, graceful" shapes that were beginning to infiltrate the modern vocabulary. The iconic pieces are created by welding hundreds of curved steel rods to circular frames, simultaneously serving as structure and ornament.Dining...
Designed in 1930, the Barcelona Day Bed shares the same simple elegance as the iconic lounge chair of the same name. Mies van der Rohe's command of line and material in all medium, from architecture to furniture, helped define the...
One of the most recognised objects of the last century, and an icon of the modern movement, the Barcelona Chair is a tribute to the marriage of design and craftsmanship.75cm W x 77cm D x 77cm H with seat...
The Bertoia Side Chair is an icon of mid-century modern design. Bertoia found sublime grace in an industrial material, creating a design that works with every decor, in every room. The Bertoia Moulded Shell Side Chair is a reintroduction...
The Bird Chair is an astounding study in space, form and function by one of the master sculptors of the last century.High Back Chair: 98cm W x 89cm D x 101cm H, with seat height at 38cm.Ottoman: 62cm...
The graceful Diamond Chair is an astounding study in space, form and function by one of the master sculptors of the last century. Like Saarinen and Mies, Bertoia found sublime grace in an industrial material, elevating it beyond its normal...
The Bertoia Barstool is part of Harry Bertoia's iconic 1952 wire collection, an astounding study in space, form and function by one of the master sculptors of the last century.54cm W x 58cm D. Bar stool height is 104cm...
The Asymmetric Lounge is the most sculptural of Harry Bertoia’s 1952 wire chair collection. The chair never made it beyond a prototype until 2005, when Knoll, with help from Bertoia’s family, put the design into full production. Harry...
Eero Saarinen designed the groundbreaking Womb Chair at Florence Knoll's request for "a chair that was like a basket full of pillows, something I could really curl up in."Chair 106cm W x 94cm D x 92cm H with...
Eero Saarinen vowed to address the "ugly, confusing, unrestful world" he observed underneath chairs and tables -- the so-called "slum of legs."Arm Chair68cm W x 59cm D x 81cm H with seat height of 48cm.Armless chair4...
Eero Saarinen vowed to address the "ugly, confusing, unrestful world" he observed underneath chairs and tables -- the so-called "slum of legs." A five-year design investigation led him to the revolutionary Pedestal Collection, introduced in 1958.Round table: dia cm 51/cm 51...
Eero Saarinen vowed to address the "ugly, confusing, unrestful world" he observed underneath chairs and tables -- the so-called "slum of legs." A five-year design investigation led him to the revolutionary Pedestal Collection, introduced in 1958.
Featured in nearly all Florence Knoll-designed interiors, the Saarinen Executive Chair remains one of our most popular designs. SAARINEN CONFERENCE CHAIRVersion with Four LegsArmless: total H 80 cm, Seat height 46 cm, W 63 cm, D 61 cm. With Arms: total...
Warmed through colour and texture, the Florence Knoll Lounge Collection is a scaled-down translation of the rhythm and proportions of mid-century modern architecture.Armchair 81cm W x 82cm D x 80cm H with seat height of 47cm.2 seat sofa 15...